Description
Descended from Sony’s highly acclaimed VENICE Digital Cinema Camera, the FX30 provides smooth entry to the creative Cinema Line world. It includes the same coveted S-Cinetone™ look provided by high-end Cinema Line models, the S-Log3 gamma curve, Dual Base ISO, Cine EI, a top handle, threaded accessory attachment points, a tally lamp, and other workflow enhancing details that put it in the same category as other Cinema Line models in terms of operability, functionality, and design. It also features RAW output and time code synchronization functionality that makes it highly expandable. A comprehensive selection of E-mount lenses, high-performance microphones, and other essential components gives creators extraordinarily flexible systems for a broad range of creative needs. Creators who start with the FX30 will easily advance through the Cinema Line as their skills grow, and the FX30 will continue to work effectively alongside high-end Cinema Line cameras in just about any production scenario.
Shuttergames
Pakistan
In the past years, going to Cinemas and watching movies has been the most exciting part of my life but this time, I am bringing Cinema Home! Sony FX30 will be my number one choice to produce the Cinematic Film Look in all my Projects!
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First Impression - Commentary
Mesheck
South Africa
As a run and gun film maker I am very impressed with the image stabilization, autofocus and the video quality is very impressive, this camera completely changed my workflow for the best , made my life easier!
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First Impression - Commentary
Mark Issa
UAE
The release of Sony's FX-30 reminds me of how far we’ve progressed in the camera world. Offering a more powerful, compact and sleek looking crop-sensor camera that will win over both professional cinematographers and novices.
Because you're fine
First Impression - Commentary
Mohammed Ihsan
UAE
I think the FX30 will be the best first-camera choice for any filmmaker/content creator.
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First Impression - Commentary
Patangeer
Pakistan
As young filmmakers we are always looking to push our boundaries. The incredible autofocus of Sony’s new cinema camera FX30 is extremely reliable that gave us the confidence to get past our limitations to experiment more and find new perspectives that we always crave for when we go out to tell a story.
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First Impression - Commentary
Ian Nieuwenhuizen
South Africa
The FX30 surprised me in that it has so many similarities compared to some of the bigger and more expensive cinema line cameras. It will be the perfect B cam for your FX3 and also a great starting point for any aspiring videographer.
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This is your time, go create
Haya
Egypt
a cinematic experience in a pocket lightweight camera.
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First Impression - Commentary
XCIV
South Africa
As run and gun film-makers we are always looking for new ways to either improve the quality of our work or make shooting easier. The new addition to the Sony cinema line meets both of these criteria as well as being the camera we wish was available when we had bought our first Sony APS-C cameras years ago.
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First Impression - Commentary
Khalifa
Egypt
For the longest period pro cinema gear was very much unaccessible for amateurs and future filmmakers. I think the all new Sony FX30 really bridged this gap and opened so many doors for future filmmakers to truly experience cinema gear.
The Sound Of Silence
First Impression - Commentary
Jacques Crafford
South Africa
We live in an exciting age! Cameras are getting smaller and cheaper yet the quality is constantly improving, bridging the gap between consumer level and high end cinema.
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First Impression - Commentary
Mohammed Mishaal
Saudi Arabia
With this camera, there are no excuses any longer for filmmakers to turn their imagination into reality
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First Impression - Commentary
Amir
UAE
Being able to use the FX30 in one my automotive shoots has been a game changer. Everything from the ergonomics, the cooling capabilities and overall quality you get from the FX30 is outstanding despite its small form factor. From my experience the FX30 is an amazing addition to Sony’s cinema line.
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First Impression - Commentary
